There is something excruciatingly beautiful about a little town in the heart of Rajasthan, speckled with colour all the time. With the sun’s heat breathing down on them strongly, bobbed in bright colourful pagdis, the printers walk through the sleepy village located on the edge of a broad riverbank. Sometimes, they have big bundles of freshly printed cloths on their heads, walking through narrow knit streets, where the walls are splashed with colour and the smell of dyes drift through the air. It feels like a watercolour painting when the heat causes mirages, with printers walking past in colour-splattered lungis and vests.

From sophisticated printing and dyeing techniques for the royal attire to floral depictions across the local and temple textiles; Sanganer block printing dates back to the social upheavals of the mid-17th century that may have forced Gujarati printers to flee to this city in the Dhundhar region of Rajputana, now known as Rajasthan.

Sanganeri is a hand-block printing technique originating from Sanganer, a village in the southern part of Jaipur, Rajasthan. This form of textile printing is almost 5 centuries old and to date holds a prominent place in the world of weavers and craftsmen. Other than Sanganer, there are other villages like Bagru, Akola, Barmer, and Jodhpur that are famous for block printing. Delicate patterns and lines with vibrant coloured designs are the defining factors for this kind of printing technique.

Origin and History
The Sanganeri printing technique developed between the 16th and 17th century. The constant wars between the Mughals and Marathas caused several craftsmen to migrate from Gujarat to Rajasthan. This craft ultimately found its haven in Sanganer, where it has been thriving ever since. It became one of the major export items for the East India Company, and its trademark was the original dye used for printing designs. This dye soon became a matter of significance in European culture as well.

Faces behind the Print
The dyers originally came from Punjab and Sindh and belonged to a community known as the ‘chippa‘ community. The majority of them are Muslims. The most interesting fact is that the entire family, including children, get involved in the process. Today, nearly 3000 people are employed in practising this craft on a professional level.

There is a great variety in the types of designs and patterns used in Sanganeri print, which includes all kinds of flower motifs, the main ones being of sunflower, roses and Narcissus’. Apart from flowers, designs depicting various gods, fruits and folk scenes are also popular. The curves and patterns majorly depict the cultural flora and fauna of Sanganer.

The simple and creative style of this block printing technology makes it popular amongst all kinds of women across age groups. With technology gaining importance, dyers have started experimenting with unusual colour combinations. Overlapping of colours such as like red and pink, or purple and orange is not very uncommon nowadays. This was, however, not possible with the older techniques.

Typically, a Sanganeri motif is a combination of beautiful floral designs. It includes a blend of flowers, buds and leaves or other forms like a Keri (mango), pan (betel leaf), Katar (dagger), or jhumka (ear-ring). The flower motifs are usually stylized sunflowers, narcissuses, roses, and other flowers of luxuriant foliage like daturas, rudrakshas, and arkas. On Sanganeri ‘chintz’ (printed cloth) usually, yellow, green blue (with different tones) are used as the background. It is also renowned for its small decorative and delicate floral patterns, called, ‘boota-booties’ which is being printed on fine cotton and silk. The finesse of the Sanganeri floral imprints that adorn the fabrics have a characteristic appeal to them. The detailing and precision that goes into the printing are done are reflective of the expertise of its artisans. Subtlety in flowers-petal designs, curves and delicacy are the prime specialities of Sanganer prints.

Apart from experiments in colour combination, there is a great deal of experimentation in designs as well. Such prints could at one point be found only on kurtas or sarees, but now with the modern transformation in fashion and style, block printing can be found on skirts, scarves and dresses as well.

Global Appeal
With this print finding its way on dresses, skirts and scarves, Indian fashion has become popular not just with silks and chiffon, but with light and fun-filled designs like that of the Sanganer print as well. Several designers and international stores have used this pattern to showcase Indian prints.

Wearing Sanganeri
It is lightweight and easy to wear and is the ideal to beat the summer heat. It is a stylish expression of comfort and creativity imbibed in one.

It is by far the easiest print to maintain. However one would not want to wash it too regularly since the colour of the dye can fade with time. Mild hand or machine wash would be ideal for this fabric.

Interesting Facts and Comparisons
Before the dyers start the process, sand and water are sprinkled on the printing table which is then covered with a wet cloth.
This craft is almost 500 years old.

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